Pasquale Lauro (born in 1999) is an Italian composer and sound artist whose research focuses on the integration of electronic and acoustic timbres, exploring the phenomenological relationship between them while creating intricate harmonic structures through the analysis and transformation of sound spectra.

His works have been performed internationally by ensembles and soloists including mdi ensemble, Ensemble Suono Giallo, Proxima Centauri, Hors Phase, Pietro Elia Barcellona, Carlo Sampaolesi, Antonio Gaggiano, and Giulia Zaniboni, among others, at festivals and concert series such as Trame Sonore (Mantua, Italy), Sound of Wander (mdi ensemble concert season, Milan, Italy), GAMO (Florence, Italy), Rondò Concert Season (Divertimento Ensemble, Milan, Italy), Académie Mixte (Pau, France), and MAD Festival (Bordeaux, France). Upcoming projects include a new work for Ensemble Rizumu and the revival of Slough at Unerhörte Musik, Berlin (Germany).

Since 2026, he has been collaborating as a composition assistant with Thierry De Mey, notably on the new version of What the Body Does Not Remember, a project developed in collaboration with Ensemble Intercontemporain, IRCAM, and the Philharmonie de Paris.

Pasquale initially studied violin and piano before earning a Bachelor’s degree in Electroacoustic Music Composition from the Conservatory of Salerno in 2022, graduating summa cum laude. He subsequently studied Composition at the “L. Campiani” Conservatory of Mantua under the guidance of Maurizio Azzan, graduating summa cum laude with honours. He is currently pursuing a Master’s degree in Composition at the same institution, where he studies with Maurizio Azzan and also attends courses taught by Zeno Baldi and Lorenzo Troiani.

He has participated in numerous masterclasses with leading composers and performers, including Francesco Filidei, Franck Bedrossian, Pierluigi Billone, Yan Maresz, Mauro Lanza, Clara Iannotta, Giulia Lorusso, Daniele Ghisi, Lisa Streich, Simone Movio, Justė Janulytė, and Eva Reiter.