Solo
Slough (2025) –
for Snare drum and Electronics
written for Roberto Enea Varalta
Momentum II (2025) –
for Double Bass
In a Perspective Space (2024) –
for Euphonium and Electronics
Written for Marina Boselli for Rondò Concert Season in Milan
Chamber
Drowning in Momentum (2026) –
for Accordion and Double Bass
written for Carlo Sampaolesi and Pietro Elia Barcellona
Momentum (2025) –
for Saxophone and Double Bass
written for Michele Bianchini and Giacomo Piermatti for Trame Sonore
Sfocatura (2025) –
for Alto Saxophone, Tenor Saxophone and Piano
Written for Rhythmos Trio for Primavera in Musica festival in Laureana di Borrello
È Bianco Lo Spazio (2024) –
for Soprano and Viola
written for Paolo Fumagalli and Giulia Zaniboni for the Trieste Prima Festival, Sound of Wander Festival and Udine Classica Festival
Ensemble
New work (2027) –
for Flute and Four Percussions
Instrumentation: Flute, Four Percussions
Written for Ensemble Rimuzu
Liminal Space (2026) –
for Ensemble and Electronics
Instrumentation: Flute, Sax, Percussion, Piano and electronics
Commissioned by Proxima Centauri for Mad Festival
Slough II (2025) –
for Snare drum, Ensemble and Electronics
Instrumentation 1: Flute, Clarinet (also bass clarinet), Alto sax, Horn, Snare Drum, Percussion, Piano, Harp, Violin 1, Violin 2, Viola, Cello, Double Bass and electronics
Instrumentation 2: Flute, Alto sax, Snare Drum, Harp, Cello and electronics
Written for SCM ensemble
Grani (2024) –
for Ensemble
Instrumentation: Flute, Alto Saxophone, Percussion, Piano and Double Bass
Written for Ensemble Suono Giallo
Thunder (2024) –
for Ensemble and Electronics
Instrumentation: Flute (also Bass Flute), Clarinet (also Bass Clarinet), Percussion, Piano, Violin and Cello
written for Mdi Ensemble
Orchestra
Latente (2025) –
for orchestra
Instrumentation: (2.2.2.2. 2.1.1.0. timp. perc. strings)